But, the Atmos Renderer seems to expect LTC on channel 129 (channels 1-128 being used for audio content), so Reaper cannot feed it :-( The reason being that LTC is sample accurate when MTC is only frame accurate. This is not too much of a problem for music use, but I discovered that the preferred way to sync the Atmos Renderer with Reaper is to use LTC rather than MTC as I show in the video. However, there's a slight problem that I would like to overcome which is that Reaper does not seem able to handle more than 64 audio channels I/O while the Atmos renderer can use up to 130 channels. I just made a quick video showing how to setup the Dolby Production Suite to use it with Reaper, it works very well. Not sure which way I'll go with it yet.Īnyway, the direct url to the Ambisonic section is via Hi!
I currently have all the Ambisonic stuff on my synth website and am contemplating setting up either a dedicated site for it or just tidying up what is there already.
This is also being mixed in third order and will be uploaded once complete. I have one song uploaded that I've mixed in third order Ambisonics and am working on my biggest album project to date. It's a little disorganized at present but I have a few links to more info about Ambisonics and how to use it. It is very early days so far and I plan to do a lot more with this site.
I have a website I have recently set up dedicated to Ambisonics and the music I've recorded with it. Or you just process usual WAV recording with Blue Ripple Sound plugins or what? Or you record with usual eqipment into WAV, then encode it somehow into that format? Do you have any links for someone like me who is interested in hearing or exploring this Ambisonic idea further? I'm all for better sound.Ĭan you tell more about how it works in few words, please? I'm not familiar with it at all.ĭo you record with some specific equipment, mics or else?
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